Floating Tai Chi Cute 3D Cartoon Stereoscopic Scene

A clear, floating cute 3D cartoon diorama scene in a circular composition with rotational symmetry, echoing a yin-yang layout:

Scene:
- a single floating circular emblem viewed from isometric bird's-eye perspective (45° angle looking down).
- one swirling half of the circle shows [Subject]'s most iconic defining scene or aspect (primary realm).
- the opposite swirling half is the contrasting opposite realm, occupying the complementary yin-yang territory.
- both realms share the same gravity direction and isometric orientation.
- each half may be a continuous shared landmass OR two structurally separate diorama units that curve around each other, forming a recognizable yin-yang composition.

Interpret narrative essence:
- treat [Subject] as ONE overarching theme or entity with TWO conflicting aspects.
- let each realm embody one aspect in a clear, visual way: the first half leans into aspect A, the opposite half leans into aspect B.
- use characters only where they naturally serve the contrast: they may appear in one realm, both realms, or take different forms — repetition is optional, never a strict requirement.
- place 2 distinct symbolic objects, each rooted naturally in its own world, echoing each other across the curve to suggest what was abandoned or gained between these two aspects.

Yin-yang relationship:
- design the two realms as interlocking, yin-yang-like shapes inside the circle: interlocking territories that echo yin-yang flow.
- place the most focal element of each realm at its "yin-yang eye" position — the visual anchor point within each half's territory.
- the two realms should feel spatially intimate and cohesive — bring them closer together to create a unified, compact circular emblem rather than loosely scattered islands.
- the two halves are typically structurally separate with a subtle atmospheric gap, but may share ground where narrative calls for it — when adjoining, boundaries flow naturally through lighting, color temperature, and ground material shifts.
- edge treatment: encourage organic overflow at key points — tall structures gently break the circular silhouette, ground edges fade atmospherically rather than clip sharply.

Composition:
- clean, dramatic circular multiverse — the circle reads as one unified, spatially compact emblem, with two interlocking narrative poles sitting close and relating to each other.
- amplify contrast between the two realms: maximize visual tension to make the duality unmistakable.
- vast open view: the scene extends naturally to its edges without boundary walls, fences, or enclosures — the horizon remains visible and unobstructed.

Shadow:
BARELY visible, extremely soft non-contact shadow with expansive fadeout — extends well beyond the diorama's footprint with a gentle gradient that blurs into the background. Viewed from bird's-eye perspective, nearly circular in shape.

Render:
- C4D. high poly with soft shading, rounded edges and bevels.
- realistic PBR materials with tactile authenticity — avoid glossy plastic or resin appearance.
- intricate textures, delicate detail, vivid harmonized colors. SSS texture:true.
- CRITICAL: ground planes must remain flat and level with natural material textures appropriate to each realm.

Background:
- a single unified, clean, subtle gradient sky as the shared environment of both realms, providing generous breathing space around the circular diorama.

Typography (top-center, cinematic poster-style design):
- a prominent title "[Subject]" in a slim elegant serif (remove the brackets).
- beneath it, a poetic, insightful subtitle that distills the story’s deepest truth or tension into one profound line.
- create clear visual hierarchy through scale and weight contrast; allow auto line wrap and slight overlap with the top of the circle if needed.

Enhance:
- professional cinematic lighting, shaped to emphasize the contrast between the two realms while keeping both legible.
- if characters are present, use dynamic, emotionally expressive poses that clearly align with the aspect of their realm.
- strong sense of visual depth within each realm.

Scene / lighting / cultural aesthetics:
- contextually appropriate to [Subject].

Negative:
- [cropped elements at canvas edges, plastic/resin, hard cartoon outlines, underexposed, creepy, ceiling].

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[Subject] =

一个清晰、漂浮的可爱3D卡通立体场景，采用圆形构图，具有旋转对称性，呼应了阴阳布局：

场景：
- 从等距鸟瞰视角（45°角观察）看到的单个漂浮的圆形标志down) 。
- 圆圈的一半旋转，代表[主题]最具标志性的定义场景或方面（主要领域）。
- 与之相对的漩涡状的一半是对比鲜明的对立领域，占据着互补的阴阳领域。
- 两个领域具有相同的重力方向和等距方向。
- 每一半可以是连续的共享陆地，也可以是两个结构上独立的立体模型单元，它们相互环绕，形成可辨认的阴阳图案。

解读叙事精髓：
- 将[主题]视为一个具有两个相互冲突的方面的总体主题或实体。
- 让每个领域以清晰、直观的方式体现一个方面：前半部分倾向于方面 A，后半部分倾向于方面 B。
- 只在自然而然地起到对比作用的地方使用人物：他们可以出现在一个领域，两个领域，或者以不同的形式出现——重复是可选的，绝不是严格的要求。
- 放置两个截然不同的象征性物体，每个物体都自然地扎根于自己的世界中，在曲线上相互呼应，以暗示这两个方面之间放弃了什么或获得了什么。

阴阳关系：
- 将这两个领域设计成圆圈内相互交错的阴阳形状：相互交错的领域呼应阴阳流动。
- 将每个领域中最关键的元素放置在其“阴阳眼”位置——即每个半领域内的视觉锚点。
- 这两个领域应该在空间上感觉亲密且连贯——将它们拉近，创造一个统一、紧凑的圆形标志，而不是松散分散的岛屿。
- 这两个部分通常在结构上是分开的，存在微妙的氛围上的隔阂，但在叙事需要时可能会共享空间——当相邻时，边界会通过光照、色温和地面材料的变化自然流动。
- 边缘处理：鼓励在关键点自然溢出——高大的建筑轻轻地打破圆形轮廓，地面边缘以大气的方式淡化，而不是生硬地裁剪。

作品：
- 干净、戏剧性的圆形多元宇宙——圆圈被视为一个统一的、空间紧凑的象征，两个相互交错的叙事极紧密相连，彼此关联。
- 增强两个领域之间的对比：最大限度地增强视觉张力，使二元性显而易见。
- 广阔的开阔视野：景色自然延伸到边缘，没有边界墙、栅栏或围栏——地平线仍然可见且无遮挡。

阴影：
几乎难以察觉的、极其柔和的非接触式阴影，边缘逐渐淡出——远远超出立体模型的范围，并以柔和的渐变过渡到背景中。从鸟瞰视角看，阴影形状近乎圆形。

使成为：
- C4D。高精度模型，柔和阴影，圆角和倒角。
- 逼真的 PBR 材料，触感真实——避免光亮的塑料或树脂外观。
- 纹理精细，细节精致，色彩鲜艳和谐。SSS纹理：是。
- 关键：地面必须保持平坦，并采用适合各个领域的自然材料纹理。

背景：
- 一片统一、干净、柔和的渐变天空作为两个世界的共同环境，为圆形立体模型周围提供了广阔的呼吸空间。

字体设计（顶部居中，电影海报风格设计）：
- 一个醒目的标题“[主题]”，采用纤细优雅的衬线字体（去掉括号）。
——在其下方，有一句富有诗意和洞察力的副标题，将故事最深刻的真相或紧张感提炼成一句意味深长的句子。
- 通过比例和粗细对比创建清晰的视觉层次；允许自动换行，并在需要时与圆的顶部略微重叠。

提高：
- 专业电影灯光，旨在强调两个领域之间的对比，同时保持两者清晰可辨。
- 如果人物出现，请使用动态的、富有情感表现力的姿势，这些姿势应与他们所处领域的特征明显相符。
- 每个领域都具有强烈的视觉深度感。

场景/灯光/文化美学：
- 与[主题]的语境相符。

消极的：
- [画布边缘的裁剪元素、塑料/树脂、硬卡通轮廓、曝光不足、令人毛骨悚然、天花板]。

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[主题] =